Giuseppe Pagano. Giuseppe Pagano (2. August 1. 89. 6 – April 2. Italian architect, notable for his involvement in the movement of rationalist architecture in Italy up to the end of the Second World War. He designed exhibitions, furniture and interiors and was an amateur photographer. He was also a long- time editor of the journal Casabella. Background. Giuseppe Pogatschnig was born in Parenzo (Pore. After attending the Italian language Lyceum in Trieste, he fled to join the Italian army at the onset of the First World War and adopted the Italian name, Pagano. He was twice wounded and twice captured but managed to escape. In the years immediately following the war, Pagano was associated with Nationalist and pre- Fascist politics, and would be among the founders of the first fascist party of his hometown of Parenzo. Architecture. In 1. Pagano graduated from the Politecnico of Turin, with a degree in architecture. In the late 1. 92. Gualino office building in Turin (1. Gino Levi- Montalcini, and working on a number of pavilions exhibitions for the Turin Exposition of 1. In 1. 93. 1, he moved to Milan to work for the home and decoration magazine La Casa Bella, founded by Guido Marangoni in 1. Philosophy. From the late 1. Pagano had adopted a rationalist position, influenced by Futurism and the European avant- gardes – he became an architect caught between the theory and practice of Fascist Italy whose approach advocated for a triad of Unity, Abstraction and Coherence. He had a significant career as a writer and defender of rationalist architecture in the press, especially Casabella, whose name he soon changed from La Casa Bella when he became director of the magazine in 1. Neapolitan art critic Edoardo Persico. Pagano and Persico revolutionized the graphic format and used their editorial position both to call to arms like- minded colleagues who believed in the power of architecture to transform modern like and to violently criticize those who reduced it to an . He was involved in the V Triennale of Milan in 1. Housing Exhibition – the Steel Structure House – and designed the N=Breda ETR3. Gi. He was also responsible for the 1. Aeronautics Show where he designed three of the main spaces including the Hall of Honour and the VI Triennale of 1. Mario Sironi. All three expositions were held in architect Giovanni Muzio's Palazzo dell'Arte in the Parco Sempione, which had been built for the V Triennale, the first held in Milan. Photography. He was also an amateur photographer, an activity sparked by his desire to document Italy's vernacular tradition in architecture. From then on he often published his own photographs in Casabella using them to strengthen his critiques of the architecture of the time. Politics and art. Though initially an active member of the Italian Fascist party, Pagano's architectural philosophy led him farther and farther from the official architects of the Fascist regime, such that his VI Triennale, in effect, proposed an alternate architectural expression for Fascism. His most significant contributions were: an extension to the Palazzo dell'Arte designed for the 1. Triennale by Milanese Novecento architect Giovanni Muzio (now demolished), the Exhibition of Vernacular Architecture (with Guarniero Daniel) and Exhibition of Building Materials (with Guido Frette). He remained dubious of some groups of Rationalists (like the Gruppo 7 and art critics like Pier Maria Bardi) who made attempts to identify their architecture with Italian Fascism, and to make it the official state architecture. He worked closely with regime architect Marcello Piacentini on the Rome's new university between 1. Italian Pavilion for the Paris International Expo in 1. Rome Expo of 1. 94. Protest and imprisonment. Pagano's position in the Fascist party and prestige among architects, as well as the diversity of cultural production under Benito Mussolini's Fascism, allowed him to openly criticize some of the regime's constructions as . In 1. 94. 2, Pagano would leave the School of Fascist Mysticism and thfor the entire prisoner population to escape in July 1. He was recaptured in September 1. Milan, imprisoned at Villa Triste, and tortured. Later he was transferred to the prison of San Vittore, then to Bolzano and then to Mauthausen, Melk, and back again to Mauthausen. Death. Pagano died of pneumonia in the infirmary of the Mauthausen concentration camp in Austria on 2. April 1. 94. 5. In one of his last letters to his friends he asked: “Remember me well: a man alive and full of good will”. List of works. Architecture. Palazzo Gualino office building, Turin (with Gino Levi Montalcini), 1. Riccardo Gualino. Sist School, Turin, 1. Villa Colli, Rivara (with Gino Levi Montalcini), 1. Entry in Santa Maria Novella Railway Station competition, Florence, 1. Furniture and interiors for Il Popolo d’Italia offices, Milan, 1.
Physics building, Citt. Entradas sobre courtyard housing escritas por. Diotallevi Marescotti y Pagano. You have no Favorite Channels. To follow a channel click the. If you wish to view your Favorite Channels from anywhere on the site, click on the My Favorites link. SAN ROCCO zero/ Innocence SAN ROCCO is a magazine about architecture. Diotallevi, Marescotti and Pagano, and Figini, Lingeri, Pollini and. Ignazio Gardella, Villa Borletti, Milano, 1936. The Villa Borletti is a project by Ignazio Gardella which is located in Milan in the Via XX Settembre. Horizontal city project by G. Superquadras Brasilia, 1960 .
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